[Verso 1: Óscar Maydon, Junior H & Gabito Ballesteros] Nomás cuando yo quiera Putas me bailan, encueran Aquí sí es de adeveras, moviendo feria Polvos, ruedas y cristal Ando con este viejo Por un lado el pinche cuerno La pecherona que ni la puedo Por el blindaje que trae Tu novio en DiDi, yo tengo un Lambo Blindada para escaparnos Sal, voy llegando, no digas tanto Mejor vamos a chingar
[Coro: Óscar Maydon] Nos vamos a enfiestar Traes skin de bandida, dile a tus amigas Yo quiero jugar Dime cuánto nomás
[Interludio: Óscar Maydon, Junior H & Gabito Ballesteros] Compa Gabito Compa Óscar ¡Uh! Así nomás, compa Junior Y su compa Óscar Maydon
[Verso 2: Óscar Maydon, Gabito Ballesteros & Junior H] Fórjate en el asiento Ya la mentе ni la siento Parece un juеgo, parece un sueño Y no quiero despertar De azul que es el whiskito Blanco el bendito perico No se me agüite aquí, mi amigo Mejor vamos a tomar Miré que andaba sola ¿Por qué no invitas a morras? Traigo una pacona, la neta estorba Y si quieren traigo más
[Coro: Junior H & Gabito Ballesteros] Nos vamos a enfiestar Traes skin de bandida, dile a tus amigas Yo quiero jugar Dime cuánto nomás
[Outro Instrumental]
Common Questions concerning “Skin de Bandida”
“Skin de Bandida” was produced by who?
Jimmy Humilde was the producer of “Skin de Bandida”.
Which themes run through “Skin de Bandida”?
“Skin de Bandida” delves into issues related to partying, nightlife, and the rebellious way of life that characterizes the urban music industry. The Junior H Music lyrics portray scenes of excess, like partying and drug usage, against the backdrop of a carefree and hedonistic way of life.
Which musicians are included in “Skin de Bandida”?
The main performers on the song are Gabito Ballesteros, Junior H, and Óscar Maydon.
What kind of music is “Skin de Bandida”?
“Skin de Bandida” falls into the categories of corridos tumbados and Latin trap, which fuse traditional Mexican music with urban elements.
“Skin de Bandida” was released when?
Released on September 22, 2023, is the song.
Why is the song named “Skin de Bandida” named that way?
“Skin de Bandida” means “Outfit of a Bandit” in English, implying themes of nonconformity and disobedience that are mirrored in the lyrics and general vibe of the song.
About JUNIOR H Skin de Bandida Lyrics
Aspect
Details
Themes
Nightlife, partying, indulgence, rebellion
Setting
Parties, possibly in luxurious or underground settings
Imagery
Luxury cars (Lamborghini), firearms, party scenes, substances (whisky, cocaine)
Narrative Voice
Confident, boastful, and indulgent; portrays a lifestyle of excess and disregard for norms
Language
Spanish; includes slang and colloquial expressions typical of urban music genres
Mood
Energetic and defiant, with a focus on enjoying the moment regardless of consequences
[Verso 1: Payo Solís & Junior H] Juré y te había dicho que ya no te iba a llamar Pero es que en todo el día no te dejo de pensar No acepto que acabó, que esto se terminó Y ahorita que me puse pedo ponme en altavoz
[Coro: Payo Solís & Junior H] Pa’ que me escuches fuerte y claro Que yo aún no te he olvidado A estar sin ti no me acostumbro Me hace falta un beso tuyo Por favor, mi amor, no cuelgues Mejor dime cuándo vuelves Pa’ que vuelvan esos días Donde tú sí me querías Sé que no son horas para estar llamando Pero para andar dolido no hay horario
[Interludio: Julián Peña Jr.] Y eso es Grupo Frontera Y el compa Junior Yayai
[Verso 2: Junior H & Payo Solís] Yo sé que me quieres y que te hago falta Como tú me has hecho falta Pa’ qué estás enojada Dime tú qué ganas ocultándome tus ganas Yo sé que me quieres y que te hago falta Como tú me has hecho falta Pa’ qué estás enojada Dime tú qué ganas ocultándome tus ganas Por ti sigo tomando Me puse pedo y es por eso que te estoy llamando
[Coro: Junior H & Payo Solís] Pa’ que me escuches fuerte y claro Que yo aún no te he olvidado A estar sin ti no me acostumbro Me hace falta un beso tuyo Por favor, mi amor, no cuelgues Mejor dime cuándo vuelves Pa’ que vuelvan esos días Donde tú sí me querías Sé que no son horas para estar llamando Pero para andar dolido no hay horario
[Outro: Payo Solís] Sé que no son horas para estar llamando Pero para andar dolido no hay horario
FAQ About JUNIOR H En Altavoz Lyrics
What is the song “EN ALTAVOZ” about?
“EN ALTAVOZ” tells the story of someone who is struggling to move on from a past relationship. Despite promising not to contact their ex-partner, they find themselves constantly thinking about them and, in a moment of intoxication, they decide to call and express their feelings openly, hoping to be heard.
“EN ALTAVOZ” is a poignant exploration of heartache and the struggle to move on from a past relationship. The song, released on September 4, 2023, quickly resonated with audiences, topping the Billboard Regional Mexican Airplay chart and earning significant airplay across the United States.
The collaboration between Grupo Frontera and Junior H brings together their distinct musical styles, blending traditional regional Mexican sounds with contemporary influences to create a track that is both emotionally powerful and sonically captivating. The lyrics of “EN ALTAVOZ” delve into the protagonist’s inability to forget their ex-partner, despite promising not to contact them again. The song captures the raw vulnerability of someone who, in a moment of intoxication, decides to call their ex and express their lingering feelings. The metaphor of being “on speaker” amplifies the protagonist’s desperate plea to be heard and acknowledged.
This emotional depth is further enhanced by the heartfelt delivery of both artists, making the song a relatable anthem for anyone who has experienced the turmoil of a breakup. The success of “EN ALTAVOZ” underscores the growing influence of regional Mexican music in the global music landscape. Grupo Frontera and Junior H’s ability to convey universal themes of love and loss through their music has garnered them a dedicated fanbase and critical acclaim. The song’s impact is a testament to the power of collaboration and the enduring appeal of heartfelt storytelling in music.
Who are the artists behind “EN ALTAVOZ”?
The Junior H Music is a collaboration between Grupo Frontera, an American regional Mexican band, and Junior H, a Mexican singer-songwriter known for his contributions to the corridos tumbados subgenre.
What genre does “EN ALTAVOZ” belong to?
The song is part of the regional Mexican genre, incorporating elements of norteño and cumbia rhythms.
When was “EN ALTAVOZ” released?
The single “En Altavoz” was released on September 14, as part of Grupo Frontera’s debut Junior H albums “El Comienzo”.
What are some of the key themes in “EN ALTAVOZ”?
The lyrics explore themes of heartbreak, longing, and the difficulty of letting go of a past love. The protagonist expresses a deep sense of loss and a desire to reconnect with their former partner.
Has “EN ALTAVOZ” achieved any notable chart success?
As of the information available, specific chart positions for “EN ALTAVOZ” were not mentioned, but Grupo Frontera has had success on the charts with other songs.
Is “EN ALTAVOZ” part of an album?
Yes, “EN ALTAVOZ” is part of Grupo Frontera’s debut album titled “El Comienzo”.
What is the musical style of Grupo Frontera?
Grupo Frontera is known for their norteño cumbias, but they have also explored other regional Mexican styles in their music.
What is the significance of the song’s title “EN ALTAVOZ”?
The title, which translates to “On Speaker,” signifies the protagonist’s desire to have their feelings heard out loud, as they put themselves on speakerphone during the call to their ex-partner.
Can “EN ALTAVOZ” be considered a typical example of Grupo Frontera’s music?
While “EN ALTAVOZ” aligns with Grupo Frontera’s regional Mexican style, the band is also known for their versatility in exploring various subgenres within Mexican music
About JUNIOR H En Altavoz Lyrics
Lyric Segment
Meaning/Theme
Juré / Y te había dicho que / Ya no te iba a llamar
The speaker made a promise not to call their ex-partner, indicating a previous decision to move on.
Pero es que todo el día no te dejo de pensar
Despite the promise, the speaker is unable to stop thinking about their ex-partner, showing their lingering attachment.
No acepto que acabó / Que esto se terminó
The speaker is in denial about the end of the relationship, struggling to accept the reality.
Y ahorita que me puse pedo, ponme en altavoz
Under the influence of alcohol, the speaker calls their ex-partner and asks to be put on speakerphone, wanting to be heard.
Pa’ que me escuches fuerte y claro / Que yo aún no te he olvidado
The speaker wants their ex-partner to clearly understand that they have not moved on.
A estar sin ti, no me acostumbro / Me hace falta un beso tuyo
The speaker is not used to being without their ex-partner and misses their physical affection.
Por favor, mi amor, no cuelgues / Mejor, dime cuándo vuelves
The speaker pleads with their ex not to hang up and instead to indicate when they might return.
Pa’ que vuelvan esos días / Donde tú, sí, me querías
The speaker longs for the return of the days when they felt loved by their ex-partner.
Sé que no son horas para estar llamando / Pero, para andar dolido, no hay horario
The speaker acknowledges the inappropriateness of the timing of the call but suggests that heartache does not adhere to a schedule.
Yo sé que me quieres y que te hago falta / Como tú me has hecho falta
The speaker believes that their ex-partner still loves them and misses them as they have missed their ex.
¿Pa’ qué estás enojada? / Dime, tú qué ganas / Ocultándome tus ganas
The speaker questions their ex-partner’s anger and suggests there is no benefit in hiding their true feelings.
Por ti, sigo tomando / Me puse pedo y es por eso que te estoy llamando
The speaker continues to drink because of their ex-partner and implies that their intoxication is the reason for the call.
[Refrán: Jasiel Nuñez] Prometí que iba a olvidarte, pero me fallé, yo te volví a buscar Porque por la noche yo fui débil y no pude evitar llamar a tu celular Perdón, no lo sabes, pero yo te quiero con el corazón Te quiero con el corazón
[Puente Instrumental]
[Refrán: Junior H] Prometí que iba a olvidarte, pero me fallé, yo te volví a buscar Porque por la noche yo fui débil y no pude evitar llamar a tu celular Perdón, no lo sabes, pero yo te quiero con el corazón Te quiero con el corazón
[Coro: Peso Pluma] No pasa nada, la verdad A vecеs no me entiendo, soy bipolar Mе prendí un gallo y empecé a volar Y se me olvidó por qué estaba mal Y ahí voy, sube y baja No hay fallo Qué loco me dejó tu amor Qué loco me dejó tu amor
[Post-Coro: Jasiel Nuñez] Pero pa’ serte sincero Hoy en día lo que prefiero es pensar en mí primero Ya no me interesa ningún “te quiero” Porque esto no es verdadero Y pa’ serte más certero Yo prefiero hacer dinero Que malgastar mi tiempo con puros cuentos Con puros cuentos Oh-oh, oh-oh
[Coro: Junior H] No pasa nada, la verdad A veces no me entiendo, soy bipolar Me prendí un gallo y empecé a volar Y se me olvidó por qué andaba mal Y ahí voy, sube y baja No hay fallo Qué loco me dejó tu amor Qué loco me dejó tu amor
[Post-Coro: Peso Pluma] Pero pa’ serte sincero Hoy en día lo que prefiero es pensar en mí primero Ya no me interesa ningún “te quiero” Porque esto no es verdadero Y pa’ serte más certero Yo prefiero hacer dinero Que malgastar mi tiempo con puros cuentos Con puros cuentos Oh-oh, oh-oh
[Outro: Junior H & Jasiel Nuñez] ¡Uh! Ahí le va, compa Jasiel Doble P (Na, na) Junior H Na-na-na, na-na, ah Na-ah, na-ah
FAQ about “BIPOLAR” by Peso Pluma, Jasiel Nuñez, and Junior H
What is the song “BIPOLAR” about?
“BIPOLAR” is a song that delves into the emotional struggles and inner conflict of love and heartbreak. The lyrics express the difficulty of moving on from a past relationship and the tendency to return to a former lover despite knowing it may not be beneficial.
“BIPOLAR,” released in 2018, delves into the emotional complexities and inner conflicts that arise from love and heartbreak. The song features Ozuna, Brytiago, and Chris Jedi, who collectively explore the tumultuous dynamics of a relationship marked by instability and emotional swings. The lyrics poignantly capture the difficulty of moving on from a past relationship, highlighting the tendency to return to a former lover despite knowing it may not be beneficial. This theme resonates with many listeners who have experienced the push and pull of toxic relationships.
The song’s production, handled by Chris Jedi and Gaby Music, blends reggaeton rhythms with trap elements, creating a soundscape that complements the emotional intensity of the lyrics. The music video, directed by Fernando Lugo, visually represents the song’s themes by depicting the artists in various states of emotional turmoil, further emphasizing the struggle between moving on and holding on to past love. “BIPOLAR” has been praised for its raw and honest portrayal of the complexities of love, making it a standout track in the Latin urban music scene. The collaboration between Ozuna, Brytiago, and Chris Jedi showcases their ability to convey deep emotional narratives through their music, solidifying their positions as influential artists in the genre.
Who are the artists featured in “BIPOLAR”?
The Junior H Music features Mexican artists Peso Pluma, Jasiel Nuñez. Each artist contributes their unique vocal style to the track, creating a blend of emotional expressions.
What genre does “BIPOLAR” belong to?
“BIPOLAR” is a Latin song that incorporates elements of regional Mexican music and modern urban sounds.
What are some of the key lyrics in “BIPOLAR”?
Key lyrics from the song include:
“I promised I would forget you, but I failed, I searched for you again.”
“Sometimes I don’t understand myself, I’m bipolar.”
“Your love left me crazy, your love left me crazy.”
Is there a music video for “BIPOLAR”?
Yes, there is a music video for “BIPOLAR” which features futuristic visuals and portrays the artists expressing their emotions through the song.
What is the main theme of “BIPOLAR”?
The main theme of “BIPOLAR” is the tumultuous experience of dealing with bipolar emotions in the context of love and relationships. It captures the highs and lows one might feel when they are unable to let go of someone they love.
Have Peso Pluma and Junior H collaborated on other songs?
Yes, Peso Pluma and Junior H have collaborated on several other tracks, including “Lady Gaga,” “El Tsurito,” and “Luna.”
What is the emotional tone of “BIPOLAR”?
The emotional tone of “BIPOLAR” is one of melancholy and introspection, with a touch of nostalgia. It reflects on the pain and confusion of unresolved feelings.
Can “BIPOLAR” be considered a romantic song?
While “BIPOLAR” deals with themes of love, it is more focused on the struggle and emotional turmoil associated with a past romance rather than the celebration of love.
How has the song “BIPOLAR” been received by audiences?
The song has resonated with audiences who appreciate its honest portrayal of emotional vulnerability and the complexities of love. It has been praised for its relatable lyrics and the heartfelt performances by the artists.
About JUNIOR H Bipolar Lyrics
Section
Lyrics Excerpt
Theme or Meaning
Refrain
I promised I’d forget you, but I failed…
The struggle to move on from a past relationship and the failure to do so.
I love you with all my heart.
An admission of deep, enduring love despite the emotional challenges.
Chorus
Sometimes I don’t understand myself…
The confusion and self-reflection about one’s fluctuating emotions.
I lit up a joint and started to fly…
An attempt to escape from negative feelings and find solace.
Your love left me so crazy.
The lasting impact of a former lover’s influence and the resulting emotional state.
[Verse 1] And a small bag to go pick someone up And a small jar that burns me with its coldness Three, four very beautiful barbies to dance with The sun in the distance I see pass My homie passes me a tobacco to roll up I can feel my heart starting to beat It had been a while without feeling that I don’t know what that is, I think they call them butterflies
[Verse 2] It’s been a long time and I can’t stop looking at her Beautiful lips, a spectacular face I approach her and the truth is, I don’t know if I should greet her But it’s not something bad, I should just do it What a beautiful girl, believe me, that was the truth I touched her shoulder and she instantly looks at me Her hand touches me and leads me to dance I was crazy about the way she looked at me And as she approaches me and makes me dance Her body close to mine would make me vibrate But I’m scared and I don’t want to fall in love But it’s late and believe me, I like this [Interlude]
Just Junior H [Verse 3] Two, three songs and she doesn’t stop dancing I don’t care as long as I’m with her Three, four drinks and the party gets better We met while the song was playing I don’t even have to tell y’all, y’all already know what happened She rolled in my bed and just as the sun came up We slept together, she had me going insane And here ends the story of this tale [
Verse 4] I’m still here, in the club, smoking a blunt Always watching out in case I come across her Days go by and I haven’t seen her again I pray to God to make her come back now I close my eyes and I remember her face How she danced, smiled, and her particular gaze Moon, tell her that you can see her now Tell her to come back and that I’ll wait for her here Two, three songs and she doesn’t stop dancing I don’t care as long as I’m with her Three, four drinks and the party gets better We met while the song was playing I don’t even have to tell y’all, y’all already know what happened She rolled in my bed and just as the sun came up We slept together, she had me going insane And here ends the story of this tale
“Ella” narrates the tale of a brief passionate meeting at a gathering. The song’s lyrics depict the protagonist’s feelings of longing after the encounter ends, as well as his initial feelings of excitement and anticipation, intimate dance, and attraction for a girl. The excitement and fleeting essence of a short-lived romance are captured in the song.
Junior H’s “Ella” not only captures the excitement and fleeting nature of a brief romance but also delves into the emotional aftermath of such encounters. The song’s narrative unfolds with the protagonist’s initial feelings of anticipation and nervousness as he prepares to meet someone special at a party. The lyrics vividly describe his immediate attraction to the girl, focusing on her captivating beauty and the butterflies he feels in her presence. This moment of connection is marked by an intimate dance, where the protagonist’s emotions are heightened by the physical closeness and the thrill of the moment.
As the night progresses, the song transitions to a more introspective tone, reflecting on the fleeting essence of their encounter. The protagonist is left with lingering feelings of longing and a desire to see her again. This emotional vulnerability is a key theme in “Ella,” highlighting the bittersweet nature of short-lived romances. The song resonates with listeners who have experienced similar brief but impactful connections, capturing the universal emotions of excitement, attraction, and the inevitable longing that follows when such moments come to an end. Junior H’s storytelling, combined with his evocative lyrics, effectively conveys the complexity of these emotions, making “Ella” a poignant and relatable piece.
When did Junior H release “Ella”?
October 31, 2019 was the release date of the song “Ella”.
Which themes go through “Ella”?
The Junior H Music of “Ella” are infatuation, attraction, and the transient bonds that can exist between individuals. The song also talks about the melancholy and desire that come after a short-lived but passionate romantic relationship.
How does “Ella” the song begin?
The protagonist of the song is seen getting ready for a night out, feeling excited about seeing someone special, and carrying a small bag at the beginning of the song. The amorous encounter that takes place during the party is set up by this.
What transpires at the peak of the song?
In the movie “Ella,” the protagonist and the girl dance intimately at the conclusion, which fosters a closer bond and a special evening spent together. This instance captures the height of their short-lived romance.
How is “Ella” resolved?
The protagonist of the song is still at the club at the end, thinking back on the girl and hoping to run into her again. It conveys a mixture of satisfaction from the recollections and a wish for the interaction to last longer than it did.
What kind of music is Junior H’s “Ella”?
“Ella” is a song that falls under the corridos tumbados subgenre of regional Mexican music, which combines urban topics and contemporary sounds with traditional Mexican musical components.
Who is the author of “Ella”?
Junior H bio, whose real name is Antonio Herrera Pérez, wrote the song “Ella”.
What role does the song “Ella” have in Junior H’s career?
Junior H’s “Ella” is a well-known song that demonstrates his ability to incorporate modern topics and sounds with traditional Mexican music. Its poignant lyrics and emotional depth have made it very popular, greatly boosting his career in the Latin music industry.
About JUNIOR H Ella Lyrics
Section
Description
Lyrics Highlight
Verse 1
Introduction to the setting and the protagonist’s anticipation.
“And a small bag to go pick someone up… I think they call them butterflies.”
Verse 2
The protagonist meets a girl and is captivated by her.
“Beautiful lips, a spectacular face… I was crazy about the way she looked at me.”
Interlude
A brief musical break, emphasizing the artist’s signature.
“Just Junior H”
Verse 3
The night progresses with dancing and drinking, leading to a more intimate connection.
“Two, three songs and she doesn’t stop dancing… We slept together, she had me going insane.”
Verse 4
Reflection and longing after the encounter.
“I’m still here, in the club, smoking a blunt… And here ends the story of this tale.”
[Verso 1: Junior H & Natanael Cano] Como de costumbre, navego en la lumbre Ganando billetes, rifando mi suerte Sigo en los negocios, tengo buenos socios Allá por Tijuana, mi equipo se jala Ando bien tumbado, los ojos cerrados La nariz polveando, me siento viajado
[Coro: Natanael Cano & Junior H] Traigo buena clica, me la rolo con los morros Yo controlo los negocios, pues mi padre me enseñó De La Perla pa’ Tijuana, unas horas y me llaman Cotorreando yo me jalo, chale, no hay fijón
[Interludio: Junior H & Natanael Cano] Puros corridos tumbados compa Nata Así es, compa Junior, ¡ea!
[Verso 2: Natanael Cano & Junior H] No solo lo bueno, disfruto lo malo Los buenos recuerdos, los tragos amargos Morras tengo varias, no quiero a ninguna Buscan el dinero, no es por ser culero Sirvan de lavada, agarrando viada Todos bien contentos, disfruto el momento
[Coro: Junior H & Natanael Cano] Traigo buena clica, me la rolo con los morros Yo controlo los negocios, pues mi padre me enseñó De La Perla pa’ Tijuana, unas horas y me llaman Cotorreando yo me jalo, chale, no hay fijón
FAQ: Junior H and Natanael Cano’s “Disfruto Lo Malo”
What genre does “Disfruto Lo Malo” belong to?
“Disfruto Lo Malo” is Junior H Music from the corridos tumbados style of regional Mexican music, which combines hip-hop and current trap elements with traditional corrido storytelling.
“Disfruto Lo Malo” by Junior H, featuring Natanael Cano, exemplifies the innovative fusion of traditional corrido storytelling with contemporary hip-hop and trap elements, characteristic of the corridos tumbados style. This genre, which has seen a meteoric rise in popularity, blends the narrative depth of regional Mexican music with the urban flair of modern beats, creating a unique sound that resonates with younger audiences. The song’s lyrics reflect themes of resilience and defiance, celebrating both the highs and lows of life, and emphasizing the importance of loyalty and perseverance amidst adversity.
The collaboration between Junior H and Natanael Cano is particularly significant as both artists are pivotal figures in the corridos tumbados movement. Their partnership highlights the genre’s evolution and its ability to bridge cultural and musical divides. Junior H’s music, often described as a blend of melancholic and rebellious tones, captures the essence of a generation that navigates between tradition and modernity. This duality is evident in “Disfruto Lo Malo,” where the artists’ gritty vocals and contemporary production techniques create a compelling narrative that speaks to the complexities of life and the pursuit of success despite challenges.
Who are the “Disfruto Lo Malo” artists?
Junior H and Natanael Cano, two well-known performers in the corridos tumbados genre, sing the song “Disfruto Lo Malo”.
Which themes run through the song the most?
Themes of overcoming obstacles in life, appreciating both the good and the terrible, and keeping control in commercial endeavors are all explored in “Disfruto Lo Malo” lyrics. The song portrays a resilient and joyful way of living in the face of hardship.
“Disfruto Lo Malo” was launched when?
The release date of “Disfruto Lo Malo” was October 31, 2019.
What role does the song have in the corridos tumbados genre?
In the corridos tumbados genre, “Disfruto Lo Malo” is notable because it demonstrates the blending of classic Mexican music elements with contemporary urban styles, appealing to a younger audience and expressing modern issues and lifestyles.
Are there any lyrics from the song that stand out?
Yes, here are some noteworthy lyrics from the song:
“Como de costumbre, navego en la lumbre / Ganando billetes, rifando mi suerte” “No solo lo bueno, disfruto lo malo / Los buenos recuerdos, los tragos amargos” – as usual, I maneuver in the fire while earning money and spinning my luck. (I relish both the good and the terrible; the bitter drinks and the pleasant recollections.)
What reaction has the song gotten from listeners?
“Disfruto Lo Malo” has garnered positive feedback, especially from lovers of corridos tumbados, because to its catchy melody and relatable lyrics that speak to the struggles faced by young Mexicans. It has helped the genre become more and more well-liked among younger viewers in Mexico and the US.
About JUNIOR H Disfruto Lo Malo Lyrics
Lyric Excerpt
Translation
Theme
Como de costumbre, navego en la lumbre
As usual, I navigate in the fire
Resilience and navigating challenges
Ganando billetes, rifando mi suerte
Earning money, raffling my luck
Business ventures and luck
Sigo en los negocios, tengo buenos socios
I continue in business, I have good partners
Business management and partnerships
Allá por Tijuana, mi equipo se jala
Over there by Tijuana, my team pulls through
Teamwork and regional pride
Traigo buena clika, me la rolo con los morros
I bring a good clique, I roll with the guys
Friendship and loyalty
Yo controlo los negocios, pues mi padre me enseñó
I control the business, because my father taught me
Family influence and business acumen
No solo lo bueno, disfruto lo malo
Not only the good, I enjoy the bad
Embracing all life experiences
Los buenos recuerdos, los tragos amargos
The good memories, the bitter drinks
Reflecting on life’s ups and downs
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